MSP series
- first 45s issued R 100 series - coming soon R 1000 series R 2000 series R 3000 series - 78s and the beginning 45s R 4000 series - 78s, later 45s R 5000 series - 45s only |
78 only |
|
78 and 45 (45 was
issued in the MSP series) |
|
78 and 45 (both using the same R number) | |
45 only |
The
British pound sign "£" is ,in fact, the archaic form of the
letter
“L” letter and that letter on the
Parlophone label logo stands for “Lindstom”
In 1896
Parlophon(e) was founded in Germany by The Carl Lindstrom Company.
During
WW1 the Transoceanic Trading Company
was set up in the Netherlands to look
after its overseas assets.
In the 1920’s Parlophone had a master leasing
arrangement with the US based OKeh Records which meant that they
introduced Bix Beiderbecke and lots of the new sounds of Jazz to
Europe. The function of a record
company is to sell records, but it seems
that Parlophone kept on issuing things that got good reviews
from the
newly-arrived magazines like the MELODY MAKER and GRAMOPHONE even
though the
actual sales figures seem to have been quite small.
This shows a dedication to
the promotion of what was then called 'Modern Dance Music' that was as
commendable as it was unique for the time.
In
1927, Columbia Gramophone of the United Kingdom acquired a controlling
interest
in the Carl Lindstrom Company and thereby in Parlophone.
In
1931, Columbia Gramophone merged with The Gramophone Company to form
EMI .
In
1953
Parlophone signed a ten year
licencing agreement with King
Records and so began issuing both Country music and early R&B They had a few minor chart successes with
Bonnie Lou, Boyd Bennett and Ruby Wright, but most of these discs sold
in small
quantities at the time and now are highly sought-after.
Success
also
came with home-grown artists such
as Ron Goodwin, Frank Chacksfield, Eve Boswell and by the late 50’s
they had
progressed, through Skiffle, with The Vipers, into the Rock & Roll
era with
Jim Dale and Laurie London and began to
licence other US labels on short term contracts.
They
approached
the new Cameo label in Philadelphia and leased Charlie
Gracie’s
first recordings. Contact was made with other companies for leasing, Herald/Ember, Canadian-American,
Memo and many others.
Adam
Faith
and Matt Munro sold well but now
it was the time for Beatlemania
When
Parlophone manager Oscar Preuss
retired in 1955 and 29-year-old
musician and composer George Martin took over nobody could guess that
history
would soon be made.
Martin had
released mainly spoken-word and
novelty/comedy material, such as
the recordings of The
Goons,
Flanders & Swann and “Beyond
the Fringe” but that changed in 1962, when
Martin signed a
rising new Liverpool pop band, The Beatles who soon turned Parlophone
into one
of the world's most famous and sought-after labels
The Beatles changed Parlophone’s profile completely. Their success brought
further signings like The Hollies, The Fourmost, Billy J
Kramer, Cilla Black, Simon Dupree and The Big Sound, Cliff Bennett and
The
Rebel Rousers . The cream of Britains new Pop groups.